LATEST: A History of Solidarity & Resistance Jewellery

Part 1: Ceres Confronts the Capitalist Patriarchy

What wheat, sickle and plough motifs really meant in antique jewellery — from Ceres and Demeter iconography to Chartist posy rings and Irish famine mourning jewellery.

Part 2: The Ring is in My Eye...

From partitioned Poland to suffragette medallions — the history of "Liberty or Death" as a jewellery motif, and its link to the Modern Posy Ring.

Part 3: The Perfect Chain

The story of Norway's paperclip resistance movement in WWII, and how it connects to suffragette networks and mid-century studio jewellery design.

Part 4: Premature Anti-fascist

The story of Spanish Civil War resistance symbols in jewellery, and how phrases like "No pasarán" and "premature anti-fascist" live on in Modern Posy Rings.

CARVED GEMSTONES: Cameos & Intaglios

Part 1: I'VE SEEN THE RIPPLES OF HISTORY IN CARVED GEMS

From Renaissance Italy to ancient Greece: the story of cameo and intaglio carving, the collectors who prized them, and the artisans who mastered them.

Part 2: A GEMSTONE IS NEVER JUST A GEMSTONE

The history of antique cameo and intaglio gems continues: Roman glass-carving techniques, Pistrucci's cameos of the Bonapartes, and sacred gem relics.

CASTELLANI'S REVOLUTION: A History of Archaeological Revival Jewellery

Part 1: Gold for the Fatherland (1814-1860)

How three generations of the Castellani firm pioneered archaeological revival jewellery in 19th-century Rome and ended up fighting for Italy's unification.

Part 2: Grande Italia (1860-1930)

Exiled Alessandro Castellani's rise from Naples to Paris and London, his apprentices Giuliano and Melillo, and their jewellery's role in uniting Italy.

20th CENTURY CRAFT REVIVALS

The New Love: How the Arts & Crafts Castrated William Morris

How May Morris, Georgie Gaskin, Florence Koehler and others shaped the Arts and Crafts jewellery movement, from London guilds to Hull House in Chicago.

Post-War Modernism and Talismanic Numinousness

How Andrew Grima, Wendy Ramshaw and Gerda Flöckinger reinvented British jewellery after WWII, blending Bauhaus and Surrealist influence into Brutalist design.

Our blogs ponder theory and praxis - they consider the ideas of philosophers and historians as well as artists and practitioners. You might be surprised who said: "Perhaps what we should rehabilitate today is not beauty, but good craftsmanship: art as hard work. You have to study, to learn how to do it. Craftsmanship. That's what I admire today."

Alongside Daniel*, we present an ongoing series of articles spanning a range of jewellery (and jewellery-adjacent) topics loosely categorised into four departments: History, Gemmology, Philosophy, and The Starstuff Stories.

*Daniel Moschopoulos is a language expert and Hispanophile who, through his work with heritage professionals in Spain - his adopted home - , has developed an unexpected interest in all things history-adjacent. 

His collaboration with Lost Owl is an endeavour to pursue the many half-written or incomplete stories in the history of jewellery. In this capacity, he turns his attention to the stately-yet-weather-beaten garden path of art history, caringly and tentatively turning over its many loose cobblestones and hoping to capture and share in writing the great craftsmanship and the stranger-than-fiction vicissitudes that the historic-landscaper repeatedly bears witness to.

But now as he writes and as ever, he must be true to his daily passions - the pot on the stove which requires his attention, and his electronic music which will - much to his perpetual frustration - not produce itself. 

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