{"title":"LOST CLASSICS","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is jewellery of Myth and Legend, of Gods, Monsters and Heroes... Stories so powerful they echo through the ages. We present a curated selection of jewellery from the Classical and Neoclassical eras.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMythical. Ancient. Neoclassical.\u003c\/p\u003e","products":[{"product_id":"vintage-diamond-serpent-stag-brooch","title":"Vintage Diamond Serpent \u0026 Stag Brooch","description":"An unusual and highly intriguing vintage brooch modelled as a serpent and stag locked in mortal combat, the snake coiled around the deer's body seemingly poised to strike. The symbolism is, to me at least, quite mysterious... Christian traditions are rife with references to the two creatures and the most similar depiction I've found is from a 4th century (AD) Byzantine mosaic (the snake is a well-worn allegory for the devil, and the conflict between stag and snake used to represent that between Christ and the devil). The story of this brooch may end, simply, there. It's a depiction of Christ's battle against the evil of Satan. But somehow that doesn't sit very well with me. The snake looks to be on the verge of victory... And, stylistically, the brooch is very much Middle Eastern, or possibly even south Asian. \u003cbr\u003e\u003cbr\u003eThe conflict between stag and serpent crops up (albeit occasionally) in various pre-Christian sources too, where the notion of stags and snakes being enemies appears to have been pretty well ingrained. Artemis and her brother Apollo are related to the stag and snake, respectively, and the two animals appear together on AD 2nd-3rd century Roman coinage. The second and third of Herakles's labours were the Lernaean Hydra and the Ceryneian Hind. The Gundestrup cauldron (Celtic, 200 BC - AD 300) features a panel with a stag and a snake flanking Cernunnos. \u003cbr\u003e\u003cbr\u003eAnd the Roman's were all over it... Pliny and Aelian write about the stag being able to lure the snake out of hiding with its breath. Martial writes, in his Epigrams (1st century AD), \"...so a stag's breath sucks up a clammy snake,\" and, even earlier, Plutarch writes in the 'Moralia' (circa AD 100):\u003cbr\u003e\u003cbr\u003e\"But let these examples suffice to show that sea animals are not entirely unrelated to us or cut off from human fellowship. Of their uncontaminated and native intelligence their caution is strong evidence. For nothing that swims and does not merely stick or cling to rocks is easily taken or captured without trouble by man as are asses by wolves, bees by bee-eaters, cicadas by swallows, and snakes by deer, which easily attract them.\"\u003cbr\u003e\u003cbr\u003eAnd as early as the 1st century BC Lucretius, in 'De Natura Rerum' (circa 99-55 BC), writes:\u003cbr\u003e\u003cbr\u003e\"Let none believe that in these regions stands\u003cbr\u003eThe gate of Orcus, nor us then suppose,\u003cbr\u003eHaply, that thence the under-gods draw down\u003cbr\u003eSouls to dark shores of Acheron- as stags,\u003cbr\u003eThe wing-footed, are thought to draw to light,\u003cbr\u003eBy sniffing nostrils, from their dusky lairs\u003cbr\u003eThe wriggling generations of wild snakes.\u003cbr\u003eHow far removed from true reason is this.\"\u003cbr\u003e\u003cbr\u003eSo basically I have no idea where the inspiration for this brooch comes from... I suspect the original myth comes from some now lost proto Indo-European culture and has echoes down the annals of time. The brooch is crafted in 9 carat gold and studded with rose cut diamonds. The serpent's body is finished in royal blue enamelled scales, and both creatures feature ruby eyes. To add further to the intreague, it bears French import marks for 9ct gold (clover).\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eEra: Vintage circa 1950\u003cbr\u003e\u003cbr\u003eSize: \u003cbr\u003e\u003cbr\u003eStones: Rose cut diamonds and rubies (rubies are likely lab grown)\u003cbr\u003e\u003cbr\u003eMarks: French import marks for 9ct gold\u003cbr\u003e\u003cbr\u003eCondition: Great vintage condition. One small area of enamel loss. The snake's head wiggles slightly when worn which I think is probably deliberate to give an impression of struggle.","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45003071422776,"sku":"AL003","price":1700.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/vintage-diamond-serpent-stag-brooch-363526.jpg?v=1686786270"},{"product_id":"victorian-nyx-cameo-brooch","title":"Victorian Nyx Cameo Brooch","description":"Striking 19th century neoclassical cameo brooch depicting the Greek goddess Nyx. Nyx was goddess of the night, near universally feared, and mother of various deities including Hypnos (Sleep), Thanos (Death), Doom, and the Tribe of Dreams. She's often depicted veiled with her eyes closed in sleep, and alongside an owl, a crescent moon, and with poppies (for their sleep-inducing properties). Homer states that Nyx was both feared and respected, even by Zeus, and of her Hesiod writes: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"One carries far-seeing light for those on earth, \u003cbr data-mce-fragment=\"1\"\u003ebut the other, baleful Night, shrouded in clouds\u003cbr data-mce-fragment=\"1\"\u003eof mist, cradles Sleep, the brother of Death.\" - Theogony, p25.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePerhaps the most famous modern depiction of her is Thorvaldsen's Night, where she's seen in flight carrying two sleeping children in her arms, Sleep and Death. This cameo is carved from Bull's Mouth shell and features wonderfully intricate detailing in high relief, cleverly utilising the convex shape of the shell. It's mounted in 15ct gold and dates from the 1870s, likely picked up in Rome, unmounted, by an intrepid traveller on the Italian leg of the Grand Tour.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEra: Victorian circa 1870\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSize: 4.8cm by 4.1cm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStone: Bull's Tongue Shell Cameo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMarks: Stamped 15ct\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCondition: Great antique condition. Some chipping at the bottom left of the rim of the cameo","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45070797275448,"sku":"LO951","price":850.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-nyx-cameo-brooch-885648.jpg?v=1686786254"},{"product_id":"etruscan-revival-torpedo-earrings","title":"Etruscan Revival Torpedo Earrings","description":"\u003cp\u003eStriking antique Etruscan Revival torpedo earrings dating from the mid Victorian period, circa 1870. They're crafted in 9ct yellow gold, and feature wonderfully intricate applied goldwork. The torpedo-shaped drops dangling freely beneath domed tops with later-added ear wires and floral motifs\u003cbr\u003e\u003cbr\u003eThe Etruscans occupied the region formerly known as Etruria on Italian peninsula (modern day Tuscany) before the rise of Rome; their civilisation, one of the most magnificent Europe has ever seen, reached its peak in the 6th century BC, and its legacy influenced many aspects of the Roman empire. Essentially a federation of city-states, they were, amongst myriad other things, master goldsmiths, and shared a common language that is generally accepted as pre-Indo-European (!!!). The 19th century excavation of Etruscan tombs uncovered gold jewellery the likes of which had never been seen, inspiring jewellers (notably Castellani) to produce replicas of these ancient treasures in the archaeological revival style - often as commissions from European royalty. Designs would incorporate fine granulation, filligree, ropework, cannetille, micromosaics, and inlays of stones such as lapis, carnelian, banded agate, and malachite. There was a distinct schism between jewellers who sought to create facsimile replicas of ancient pieces, and jewellers who drew influence from ancient techniques, but wished to create unique pieces of their own design. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eEra: Victorian circa 1870\u003cbr\u003e\u003cbr\u003eSize: 5.3cm by 1.0cm\u003cbr\u003e\u003cbr\u003eMarks: Ear wires have English hallmarks for 9ct gold. Drops tested as 9ct gold\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition with some tarnish\/patina to the gold. Easily polished out if desired.\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45071271559480,"sku":"AL019","price":850.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/etruscan-revival-torpedo-earrings-858043.jpg?v=1686786207"},{"product_id":"etruscan-revival-turquoise-earrings","title":"Etruscan Revival Turquoise Earrings","description":"Spectacular Etruscan Revival earrings dating from the mid-Victorian period, circa 1870. The goldwork is exquisite, with applied fine rope-twist hoops and borders decorating the small domed tops, while the larger circular drops are adorned with a variety of cannetille-work, intricate rope-work, and granulation. Almost as if the creator was showing off their mastery of all the Etruscan trappings in one piece of jewellery. Built in 15 carat yellow gold and set with four turquoise cabochons. The best thing about them: they're nowhere near as big as much of the jewellery from this era\/movement, making them surprisingly wearable - even for extended periods. \u003cbr\u003e\u003cbr\u003eEra: Etruscan Revivalist circa 1870\u003cbr\u003e\u003cbr\u003eLength from tops of wires to bottom of earrings: 3.2cm\u003cbr\u003e\u003cbr\u003eWidth: 1.4mm\u003cbr\u003e\u003cbr\u003eStones: Turquoise\u003cbr\u003e\u003cbr\u003eMarks: None\u003cbr\u003e\u003cbr\u003eCondition: Overall very good antique condition. The ear wires are later additions. On one earring the cannetille section at the centre of the larger component has been pushed down into its setting. Not really noticeable when worn, especially as they aren't seen next to each other, but the same section on other earring sticks out above the setting a little (see images). One turquoise is chipped.","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45096507867448,"sku":"LO695","price":575.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/etruscan-revival-turquoise-earrings-341390.jpg?v=1686786206"},{"product_id":"vintage-greek-athena-matchbox-case","title":"Vintage Greek Athena Matchbox Case","description":"Cool vintage matchbox case made in Greece in the 1970s. It features Athena one one side and the Parthenon on the other, with original wood and card matchbox and matches inside and an excellent embossed Greek Key motif down the edge. I believe it's made from aluminium (kind of a guess to be perfectly honest. It's very light metal). \u003cbr\u003e\u003cbr\u003eEra: Vintage 1970s\u003cbr\u003e\u003cbr\u003eSize: 5.4cm by 4.0cm by 1.9cm\u003cbr\u003e\u003cbr\u003eCondition: Good vintage condition. Signs of wear consistent with age - see images.","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45097809346872,"sku":"LO715","price":70.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/vintage-greek-athena-matchbox-case-411416.jpg?v=1686786323"},{"product_id":"1920s-egyptian-revival-pharaoh-earrings","title":"1920s Egyptian Revival Pharaoh Earrings","description":"Weird yet wonderful Egyptian Revivalist earrings made in the 1920s. Each one comprising a larger and smaller pharaoh's head complete with beaded necklace and iconic headdress. The discovery of Tutankhamen's tomb at Wādī al-Mulūk (aka The Valley of the Kings), Luxor, sparked extreme interest in Europe and the US with elements of Ancient Egyptian architecture and fashions forming a pillar of the Art Deco movement. These earrings are silver plated and were quite possibly made in Egypt for sale in the European markets. \u003cbr\u003e\u003cbr\u003eEra: Art Deco circa 1925\u003cbr\u003e\u003cbr\u003eSize: 3.4cm by 2.0cm\u003cbr\u003e\u003cbr\u003eMarks: None\u003cbr\u003e\u003cbr\u003eCondition: Good vintage condition. The silver posts are presumably latter added. Some wear to the silver plating at the back around the posts","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45112500453688,"sku":"LO764","price":150.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/1920s-egyptian-revival-pharaoh-earrings-514184.jpg?v=1686785943"},{"product_id":"ancient-revival-multigem-locket","title":"Ancient Revival Multigem Locket","description":"Highly unusual Victorian round locket with engraved floral detailing to one side, and an Etruscan Revivalist style array of cabochon gemstones to the other - a real ancient revival type feel to it. The stones include turquoise, garnet, and pearls, and they're set in rope-work bezels arranged in a sort of flower\/starburst pattern. I've never come across anything quite like it, and suspect the stones were set onto the back of a pre-existing locket... most likely re-purposed from another piece of jewellery. Crafted in 15ct gold (back and front) with original fittings inside.\u003cbr\u003e\u003cbr\u003eEra: Late Victorian circa 1900\u003cbr\u003e\u003cbr\u003eSize: 2.3cm by 2.1cm (not including jump ring)\u003cbr\u003e\u003cbr\u003eStones: Garnet, Pearl, Turquoise\u003cbr\u003e\u003cbr\u003eMarks: None, back and front tested as 15ct gold. Inside appears to be base metal.\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition. Original glass has been replaced with celluloid","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45156733518136,"sku":"LO855","price":475.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/ancient-revival-multigem-locket-519430.jpg?v=1686786127"},{"product_id":"victorian-tigers-eye-flora-cameo-ring","title":"Victorian Tiger's Eye \"Flora\" Cameo Ring","description":"A remarkable antique neoclassical cameo ring, remarkable for various reasons: the scale, the stone, the subject. It's set with a carved tiger's eye gemstone, curved to conform to the finger, and featuring a cameo depicting the Roman deity Flora. In classical mythology, Flora was the goddess of flowers, fertility, and the season of Spring. Her equivalent in the Greek pantheon was Chloris, and her (Roman) husband was Favonius, god of the wind. There was a festival celebrated in her honour, late April to early May, called the Floralia which involved dancing, floral displays, and drinking - all in honour of the cyclical renewal of life, rebirth, and rejuvenation. This ring dates from the late Victorian era, circa 1890, with exquisite engraved details to the shoulder and large enough to form a truly unisex piece. \u003cbr\u003e\u003cbr\u003eEra: Late Victorian circa 1890\u003cbr\u003e\u003cbr\u003eRing size: 10.25 US or U 1\/2 UK\/AUS. Resizable for £35.\u003cbr\u003e\u003cbr\u003eHead size: 20.6 by 15.1mm\u003cbr\u003e\u003cbr\u003eStone: Tiger's Eye (polycrystalline quartz)\u003cbr\u003e\u003cbr\u003eMarks: None, tested as 9ct gold\u003cbr\u003e\u003cbr\u003eCondition: Good antique condition. The stone has a small crack to the right hand side, and some chipping above the oval cameo subject. Wear consisted with its age.","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45157557076280,"sku":"LO864","price":395.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-tigers-eye-flora-cameo-ring-166568.jpg?v=1686786271"},{"product_id":"neoclassical-cock-calanthus-intaglio-signet-ring","title":"Neoclassical \"Cock \u0026 Calanthus\" Intaglio Signet Ring","description":"\u003cp\u003eAn exceptional signet ring set with an early 19th century neoclassical jasper intaglio depicting a cockerel (or chicken) facing left next to a calanthus (basket) containing branches of grain. The stone was carved in the Georgian period, circa 1800, and the artist was apparently quite familiar with both the anatomy of the creature, and the Roman symbolism of the cockerel\/chicken and grain. It's unusual in that the subject is not a specific deity or hero, as these neoclassical pieces so often depicted, but that of a far more obscure (and potentially less romantic) theme. \u003cbr\u003e\u003cbr\u003eThe symbology is of abundance and prosperity, the cockerel being often associated with Mercury. During the Roman period, such intaglios were used to impress a clay or wax seal to be used as the personal signature of the owner. It was therefore imperative that the seals were unique to their owners, and, although they were occasionally passed down as heirlooms as with Augustus's famous sphinx seal, they were often destroyed on the death of the owner to prevent unauthorised use (as with Petronius, Nero's one time favourite who, having fallen out of favour, is known to have destroyed his seal before committing suicide). Roman personal seals were mainly used in the execution of legal contracts, whereby the document would be folded inside a wooden tablet (tabulae ceratae) and tied with a length of cord. The ends of the cord would be sealed in wax with an intaglio impression. If the contract was especially important, seven seals would be used with the name of each signatory written in ink alongside his seal. \u003cbr\u003e\u003cbr\u003eThis intaglio is mounted am 18ct gold contemporary ring with a 22ct bezel setting. The craftsmanship is exceptional, constructed in the Georgian style in keeping with the intaglio.\u003cbr\u003e\u003cbr\u003eEra: Neoclassical intaglio, circa 1800. Ring mount is contemporary.\u003cbr\u003e\u003cbr\u003eRing size: 5.75 US or K 1\/2 UK\/AUS. Resizable for £55.\u003cbr\u003e\u003cbr\u003eHead size: 18mm by 14mm\u003cbr\u003e\u003cbr\u003eWeight: 8.7g\u003cbr\u003e\u003cbr\u003eStone: Jasper\u003cbr\u003e\u003cbr\u003eMarks: None, tested as 18ct gold with 22ct gold setting\u003cbr\u003e\u003cbr\u003eCondition: Excellent\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"No \/ No","offer_id":48873207923000,"sku":"LO853","price":2750.0,"currency_code":"GBP","in_stock":false},{"title":"No \/ Yes","offer_id":48873207955768,"sku":"LO853i","price":2800.0,"currency_code":"GBP","in_stock":false},{"title":"Yes \/ No","offer_id":48873207988536,"sku":"LO853r","price":2805.0,"currency_code":"GBP","in_stock":false},{"title":"Yes \/ Yes","offer_id":48873208021304,"sku":"LO853ir","price":2855.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/neoclassical-cock-calanthus-intaglio-signet-ring-119449.jpg?v=1686786238"},{"product_id":"neoclassical-greek-coin-pendant","title":"Neoclassical Greek Coin Pendant","description":"Cool vintage pendant with a replica ancient Greek coin set within an 18k gold Greek Key frame. The coin depicts Athena, head in profile, wearing a crested helmet. Italian, circa 1970.\u003cbr\u003e\u003cbr\u003eEra: Vintage circa 1970\u003cbr\u003e\u003cbr\u003eSize: 2.2cm by 1.9cm\u003cbr\u003e\u003cbr\u003eMarks: Stamped K18 (18ct gold)\u003cbr\u003e\u003cbr\u003eCondition: Great vintage condition","brand":"Lost Vintage","offers":[{"title":"Default Title","offer_id":45211923087672,"sku":"LO910","price":375.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/neoclassical-greek-coin-pendant-700688.jpg?v=1686824365"},{"product_id":"victorian-pink-medusa-cameo-ring","title":"Victorian Medusa Cameo Ring","description":"\"Near them their sisters three, the Gorgons, winged\u003cbr\u003eWith snakes for hair—hatred of mortal man\"\u003cbr\u003e- 'Prometheus Bound', Aeschylus\u003cbr\u003e\u003cbr\u003eThe myth of Medusa is one of the most well known of the ancient lores, she shines as a beacon through the annals of time, and a powerful symbol akin to the modern evil eye. A dangerous threat to ward off even more dangerous threats. \u003cbr\u003e\u003cbr\u003eOnce a beautiful priestess of Athena, she caught the eye of Poseidon, god of the sea, who sought to seduce her but when she rejected him he raped and impregnated her in the temple of Athena. Enraged by this act of sacrilege, Athena turned Medusa into a monster with snakes for hair and gaze that turned men to stone. Most (male) tellings of this story describe Athena as punishing Medusa for being victim of rape but I prefer a different reading, as explored by Glenys Livingstone and Trista Hendren in ‘Re-visioning Medusa’. Perhaps it wasn’t a punishment. Perhaps Athena was taking all the trauma, all the fear, all the anger and rage, and transforming it into fierce protective energy. Medusa becomes the embodiment of female rage in the face of patriarchy and male violence. She serves as a reminder for women not to deny our righteous rage, it can be powerful, protective, even life-saving in a society that expects our meekness. Now stick that on your hand and wear it.\u003cbr\u003e\u003cbr\u003eAfter Medusa was slain by Perseus and her head delivered to Athena, she made from it her aegis (shield or armour, depending on which source you read): \"a fearsome thing with a surface of gold like scaly snake-skin, and the linked serpents and the Gorgon herself upon the goddess’s breast—a severed head rolling its eyes\" - Virgil’s Aeneid (Day-Lewie's translation). Indeed, even now, the phrase \"under someone's aegis\" means under the protection of a powerful or benevolent source.\u003cbr\u003e\u003cbr\u003eThe ring dates from the late Victorian period, Medusa carved from a single piece of pale pink conch shell - the most subtle of hues. It's set in a 9ct gold ring mount with trifurcated shoulders. English, circa 1900.\u003cbr\u003e\u003cbr\u003eEra: Victorian circa 1900\u003cbr\u003e\u003cbr\u003eRing size: 8 US or P 1\/2 UK\/AUS. Resizable for £35.\u003cbr\u003e\u003cbr\u003eHead size: 2.6cm by 2.1cm\u003cbr\u003e\u003cbr\u003eStone: Conch shell cameo\u003cbr\u003e\u003cbr\u003eMarks: None, tested as 9ct gold\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition. Light wear consistent with age.","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45223266451768,"sku":"LO936","price":700.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-medusa-cameo-ring-637809.jpg?v=1686786254"},{"product_id":"neoclassical-flora-lava-cameo-brooch","title":"Neoclassical \"Flora\" Lava Cameo Brooch","description":"An exceptional 19th century neoclassical cameo brooch depicting Flora, carved in high relief from a single piece of Vesuvian lava. Flora, the Roman goddess of Flowers, was a nymph until Zephyr - the wind - fell in love with her and made her 'mistress of the flowers'. She symbolises spring, new life, regeneration, and hope, and her festival, the Florinalia, was celebrated from 28th April to 3rd May each year. The cameo is mounted in 9ct yellow gold with gorgeous hand-engraved border designs, purchased as a souvenir by some adventurous 'Grand Tourer' on the Italian leg of their trip, before being mounted by and English goldsmith on their return home to England. Circa 1860. \u003cbr\u003e\u003cbr\u003eEra: Victorian circa 1860\u003cbr\u003e\u003cbr\u003eSize: 5.3cm by 45.cm\u003cbr\u003e\u003cbr\u003eStone: Lava\u003cbr\u003e\u003cbr\u003eMarks: 9c stamp (9ct gold). AJ maker's mark\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition. A few small chips to the cameo edge.","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45236255523128,"sku":"LO1000","price":600.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/neoclassical-flora-lava-cameo-brooch-764256.jpg?v=1686786233"},{"product_id":"georgian-socrates-cameo-brooch","title":"Georgian \"Socrates\" Cameo Brooch","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis neoclassical brooch dates from the Georgian period, circa 1800, and features one of the most exceptional cameos I've ever handled. The Greek philosopher Socrates is depicted in relief, carved from a banded cowrie shell. The artist has utilised the different colours in the shell to stunning effect: his hair, beard and eyebrows are white; his skin a tanned brown; and his cloak features dark and light shadow definition, all over an off-white background. It's Italian, mounted in a 15ct gold bezel brooch setting.\u003c\/p\u003e\n\u003cp\u003eSocrates. Where to start...? He was, by all accounts, quite the character; roaming around Athens firing off provocative questions at unsuspecting citizens. In Socrates' day, Athens was electric. They were coming off the back of a sensational naval victory at the battle of Salamis (480BC), defeating Xerxes' fleet that outnumbered the Athenians four to one. And remember that prior to this Athens had virtually no naval experience... a seafaring people they certainly were not. Pericles rises to prominence in 460BC, ushering in a Golden Age where culture and, importantly, democracy flourished. The Athenian brand of direct democracy was an exhilarating political experiment: any (male) citizen over the age of 20 could take part, indeed it was a duty to do so. Officials were either elected by the Assembly or chosen by lottery in a process called sortition. The term itself comes from the two words, Demos (the people) and Kratos (power).\u003cbr\u003e\u003cbr\u003eSocrates' education techniques focused on discovering answers by asking questions. His most famous student, Plato, describes \"the disciplined practice of thoughtful questioning [that] enables the scholar\/student to examine ideas and be able to determine the validity of those ideas.\"\u003cbr\u003e\u003cbr\u003eHis death made Socrates a martyr, and a sort of secular saint. He died as he lived in Athens: adored by his students and loathed by most Athenians. Ultimately, he was sentenced to death by a jury of 500 freemen (a 280-220 margin) for \"corrupting the Athenian youth\" with his radical ideas and \"not believing in the gods the state believes in, but in other new spiritual beings.\" He spent his last day in prison, refusing offers to help him escape. Plato documented his final hours, although wasn't himself present to witness them. When offered the cup of deadly hemlock, Socrates, \"took it quite cheerfully without a tremor, with no change of colour or expression,\" before uttering the now-famous words, \"we can and must pray to the gods that our sojourn on earth will continue happy beyond the grave. This is my prayer, and may it come to pass.” The hemlock acted fast, a numbness starting at the feet gradually rose up his body... by the time it reached his waist, Socrates spoke his final words: \"Crito, we owe a cock to Asclepius. Do pay it. Don’t forget.\"\u003cbr\u003e\u003cbr\u003eSocrates did not document his teachings. Everything we know about him and his philosophical ideas comes from the accounts of others, presented as a series of conversations between Socrates and others. The four main sources are: Plato and the historian Xenophon, who were both his pupils; the comic-dramatist Aristophanes; and Plato's pupil Aristotle, who coined the term Socratic dialogues (logos sokratikos) to describe this newly formed literary genre.\u003cbr\u003e\u003cbr\u003eEra: Georgian circa 1800\u003cbr\u003e\u003cbr\u003eSize: 19.6mm by 15.4mm\u003cbr\u003e\u003cbr\u003eStone: Cowrie shell cameo\u003cbr\u003e\u003cbr\u003eMarks: None, tested as 15ct gold\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition.\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45244450013496,"sku":"LO966","price":880.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/georgian-socrates-cameo-brooch-633367.jpg?v=1686824253"},{"product_id":"victorian-grand-tour-days-of-the-week-bracelet","title":"Victorian Grand Tour \"Days of the Week\" Bracelet","description":"Utterly charming antique cameo bracelet set with seven mother of pearl cameos, each depicting a day of the week. It dates from the late Victorian period, produced in Rome as a Grand Tour souvenir, the cameos based on engravings made by various artists after Raphael, who in 1516 painted these images in roundels of the ceiling of the Sala Borgia in the Vatican. It's crafted in 800 silver throughout, with fine ropetwist details around the stones.\u003cbr\u003e\u003cbr\u003eThe cameos represent the Greco-Roman deities as days of the week, being pulled by in various modes of travel by their own symbolic creatures. The imagery, however, isn't necessarily correct... I'll elaborate. From left to right:\u003cbr\u003e\u003cbr\u003eMonday: Luna with her chariot (a biga, pulled by two) being pulled by two women. The imagery is... incorrect for the Roman period. Luna’s biga was originally pulled by oxen, horses or serpentine dragons. \u003cbr\u003e\u003cbr\u003eTuesday: Mars with sword in a quadriga pulled by four horses. Imagery is correct, Mars can be found on ancient coinage pulled by four horses.\u003cbr\u003e\u003cbr\u003eWednesday: Mercury in a chariot pulled by cockerels, representing Wednesday. The ancients never depicted Mercury travelling in a chariot or similar. He had winged sandals, after all, so what would have been the point?\u003cbr\u003e\u003cbr\u003eThursday: Jupiter with his chariot being pulled by eagles. He's associated with eagles, for sure, but they didn't pull his chariot... \u003cbr\u003e\u003cbr\u003eFriday: Venus with her biga being pulled by doves The Roman\u003cbr\u003eperiod showed coins of Venus in her biga pulled by Cupids so... close?\u003cbr\u003e\u003cbr\u003eSaturday: Saturn with his scythe in a chariot drawn by serpentine dragons. No idea on this one... Saturn was typically presented in a quadriga pulled by horses.\u003cbr\u003e\u003cbr\u003eSunday: Sol in quadriga pulled by four horses. Entirely correct! Bravo. \u003cbr\u003e\u003cbr\u003eEra: Victorian circa 1900\u003cbr\u003e\u003cbr\u003eLength: 7.5 inches\u003cbr\u003e\u003cbr\u003ePanels: 2.1cm by 1.7cm\u003cbr\u003e\u003cbr\u003eStones: Mother of Pearl\u003cbr\u003e\u003cbr\u003eMarks: Stamped 800\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition with minimal signs of wear","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45244605956408,"sku":"LO1049","price":190.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-grand-tour-days-of-the-week-bracelet-793822.jpg?v=1686786254"},{"product_id":"neoclassical-roman-forum-micromosaic-pendant","title":"Neoclassical \"Roman Forum\" Micromosaic Pendant","description":"Cool 19th century micromosaic pendant depicting the ruins of the Roman Forum focused on three remaining columns of Temple of Vespasian and Titus. Wonderful use of colour tone and perspective create a 3D effect, the tiny glass tessera mounted on a black bevelled glass border and mounted in 18ct gold.\u003cbr\u003e\u003cbr\u003eThe Roman Forum, also known as the Forum Romanum, was the centre of political, commercial, and social life in ancient Rome. At the heart of the city, it served as the location for public speeches, elections, and trials. The Forum was also home to many temples, including the Temple of Saturn, the Basilica Julia, the Arch of Septimius Severus, and the famous Temple of Concord, as well as numerous shops and markets where citizens could purchase goods and services. \u003cbr\u003e\u003cbr\u003eA charming example of Grand Tour souvenir jewellery, it was made in Italy towards the end of the 19th Century, circa 1890. The Grand Tour was a traditional rite of passage for young British aristocrats and wealthy individuals, who would journey throughout Europe to experience the continent's history and culture.\u003cbr\u003e\u003cbr\u003eEra: Victorian circa 1890\u003cbr\u003e\u003cbr\u003eSize: 2.4cm by 1.7cm\u003cbr\u003e\u003cbr\u003eMarks: None, tested as 18ct gold\u003cbr\u003e\u003cbr\u003eCondition: Good antique condition. Some chips to the glass bezel.","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45264150004024,"sku":"LO948","price":365.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/neoclassical-roman-forum-micromosaic-pendant-410409.jpg?v=1686786231"},{"product_id":"ancient-egyptian-solar-barque-steatite-ring","title":"Ancient Egyptian \"Solar Barque\" Steatite Ring","description":"\u003cp\u003eAncient Egyptian black steatite ring dating from the New Kingdom, Dynasty 18-19 (circa 1550-1186 BCE). The carved face depicts the sun god Ra in his solar barque being worshipped by baboons, presumably Thoth, god of the moon and of wisdom and his advisor. A similar example can be found at the \u003ca href=\"https:\/\/www.artic.edu\/artworks\/140722\/ring-of-sun-god-ra-in-his-bark-being-worshipped-by-baboons\" target=\"_blank\"\u003eArt Institute of Chicago\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eRa, the sun god, created the world and all living things. He was one of the most important deities in the Egyptian pantheon, and was worshipped as the bringer of light, warmth, and life - often depicted as a man with the head of a falcon, wearing a solar disk on his head. He travelled across the sky each day in his solar barque, bringing light and warmth to the world and protecting it from darkness and chaos. At night, he descended into the underworld, where he battled and defeated the serpent of chaos, bringing order and stability to the universe.\u003cbr\u003e\u003cbr\u003eBaboons were associated with the god Thoth, who was the god of wisdom, writing, magic, and the moon, setting up an interesting, multi-layered duality with Ra. Thoth was believed to have the ability to control time and measure the movements of the moon and stars, while Ra was associated with the sun and daytime. Ra represented the power and vitality of the sun, while Thoth represented the wisdom and magic of the moon. This duality between Ra and Thoth can be seen as a reflection of the ancient Egyptian belief in the importance of balance and harmony in the universe. The sun and the moon were seen as complementary forces that worked together to create a stable and ordered world. The duality between Ra and Thoth was not a conflict, but rather a necessary balance that allowed the world to function properly.\u003cbr\u003e\u003cbr\u003eHere, the depiction of Ra and the baboons may be seen as a representation of this duality between the sun and the moon, power and wisdom, or light and darkness - these forces, and importantly their balance, forming a central part of the society that created and revered them.\u003c\/p\u003e\n\u003cp\u003eEra: Ancient, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecirca 1550-1186 BCE\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRing size: 9 US or R 1\/2 UK\/AUS (approximate)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHead size: 3.4cm by 1.8cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: Good. Wear consistent with age including a notch at the back of the inner band where it's been worn on a chain or cord as an amulet.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lost Classics","offers":[{"title":"Default Title","offer_id":45267020874040,"sku":"LO1010","price":6750.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/ancient-egyptian-solar-barque-steatite-ring-724203.jpg?v=1686786133"},{"product_id":"edwardian-garnet-intaglio-hera-swivel-ring","title":"Edwardian Garnet Intaglio \"Hera\" Swivel Ring","description":"\u003cp\u003e\u003cem\u003e\"I sing of golden-throned Hera whom Rhea bare Queen of the immortals is she, surpassing all in beauty\" \u003c\/em\u003e- Homeric Hymn XII (Evelyn-White translation)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSuper unusual neoclassical swivel ring with intaglio of the ancient Greek goddess Hera carved into a deep-red garnet slab. The head is able to spin around, meaning the intaglio can be worn either outward of hidden against the skin, or the whole thing can be worn on a chain as a pendant. It's crafted in 18ct gold with English hallmarks from the year 1907. \u003cbr\u003e\u003cbr\u003eHera was Queen of Olympus, and one of the most significant deities in the Greek pantheon. Daughter of the Titans Chronus and Rhea, her husband was Zeus and she represented marriage, women, kings and dynasties, as well as the skies and constellations.\u003c\/p\u003e\n\u003cp\u003eHera was both regal and majestic, the embodiment of royal duty, she is usually depicted wearing a diadem or marriage veil and in this case wearing an elaborate necklace. There is one more defining characteristic to know about Hera, to those that cross her jealously and vengeance know no bounds, as the numerous lovers and illegitimate offspring of Zeus would find out to their peril.\u003cbr\u003e\u003cbr\u003eEra: Edwardian 1907\u003cbr\u003e\u003cbr\u003eRing size: 6 US or L 1\/2 UK\/AUS. Resizable for £35.\u003cbr\u003e\u003cbr\u003eHead size: 16.9mm by 12.1mm\u003cbr\u003e\u003cbr\u003eStone: Garnet, variety almandine-pyrope\u003cbr\u003e\u003cbr\u003eHallmarks: English, Chester, 18ct Gold, 1907\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition. Light wear to the stone consisted with age\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45297449828664,"sku":"LO942","price":1450.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/edwardian-garnet-intaglio-hera-swivel-ring-138671.jpg?v=1686824282"},{"product_id":"victorian-gold-aegis-brooch","title":"Victorian Gold Aegis Brooch","description":"\u003cp\u003e\u003cem\u003e\"And across her shoulders she throws the betasselled, terrible aegis, all about which Terror hangs like a garland, and Hatred is there, and Battle Strength, and heart-freezing Onslaught and thereon is set the head of the grim gigantic Gorgon, a thing of fear and horror, portent of Zeus of the aegis\" \u003c\/em\u003e- Homer, the Iliad, V (Lattimore translation)\u003c\/p\u003e\n\u003cp\u003eAn excellent 19th century neoclassical brooch modelled as the aegis, Athena's shield loaned from Zeus, with the severed head of Medusa at the centre.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAfter Medusa was slain by Perseus and her head delivered to Athena, she made from it her aegis (shield or armour, depending on which source you read): \"a fearsome thing with a surface of gold like scaly snake-skin, and the linked serpents and the Gorgon herself upon the goddess’s breast—a severed head rolling its eyes\" - Virgil’s Aeneid (Day-Lewie's translation). Indeed, even now, the phrase \"under someone's aegis\" means under the protection of a powerful or benevolent source.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe story goes that having slain the Gorgon sister by flashing her own reflection (on Athena's highly-polished shield) back at her, thus turning her to stone, Perseus then delivered Medusa's head to Athena, who basically weaponised the petrifying gaze by installing it on her shield (or breastplate depending on the source you're reading):\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"... a fearsome thing with a surface of gold like scaly snake-skin, and the linked serpents and the Gorgon herself upon the goddess’s breast—a severed head rolling its eyes\" - Virgil’s Aeneid (Day-Lewie's translation). Indeed, even now, the phrase \"under someone's aegis\" means under the protection of a powerful or benevolent source.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMost (male) tellings of this story describe Athena as punishing Medusa for being victim of rape but I prefer a different reading, as explored by Glenys Livingstone and Trista Hendren in ‘Re-visioning Medusa’. Perhaps it wasn’t a punishment. Perhaps Athena was taking all the trauma, all the fear, all the anger and rage, and transforming it into fierce protective energy. Medusa becomes the embodiment of female rage in the face of patriarchy and male violence. She serves as a reminder for women not to deny our righteous rage, it can be powerful, protective, even life-saving in a society that expects our meekness.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThe brooch is crafted in 9ct gold with beautiful hand-chased detailing and set with six turquoise cabochons with a turquoise enamel halo around the face. English, circa 1890. \u003cbr\u003e\u003cbr\u003eEra: Victorian circa 1890\u003cbr\u003e\u003cbr\u003eSize: 4.2cm diameter\u003cbr\u003e\u003cbr\u003eStones: Turquoise\u003cbr\u003e\u003cbr\u003eMarks: Stamped 9ct\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45317368152376,"sku":"LO1056","price":900.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-gold-aegis-brooch-792121.jpg?v=1686824311"},{"product_id":"ancient-roman-mars-signet-ring","title":"Ancient Roman Mars Signet Ring","description":"A Roman Republic era intaglio depicting Mars, god of war and guardian of the crops. Unlike his Greek counterpart Ares, the son of Jupiter and Juno held a dignified, indeed critical, position within the Roman pantheon. Whereas the Greeks saw Ares to be primarily a destructive and destabilising force to the extent that he was often treated with revulsion and contempt, Mars was accepted by the Romans as the father (pater) of their People, representing military power as a means to secure peace and, ultimately, prosperity. \u003cbr\u003e\u003cbr\u003eMost of his festivities were held in March and October. March was first month in the earliest Roman calendar, meaning that he was born with the new year, and the month that most military campaigning began (of course, it remains named after him to this day). October saw the crops brought in and the end of the farming season. \u003cbr\u003e\u003cbr\u003eVirility, as a life force (vis) or virtue (virtus) was another essential characteristic of Mars, tying in with his role as an agricultural guardian. He was seen to ward off the hostile forces of nature to create the favourable conditions required for crops to grow. He was called on to ward off \"rust\" referring to both the red fungus that could ruin a wheat crop, and the iron oxide affecting metal weapons. The wild animals most sacred to Mars were the woodpecker, the wolf, and the bear.\u003cbr\u003e\u003cbr\u003eThis Mars intaglio dates from the 2nd to 1st century BC, carved into a single piece of banded agate cut en cabochon and set into a Georgian style signet ring mount. Mars stands proud with sword and shield in hand and wearing a military helmet. The bezel around the stone is crafted in 22ct gold, and the dish back and band are in 18ct. It's beautifully made with prominent raised shoulders, the perfect complement to this ancient glyptic gem. \u003cbr\u003e\u003cbr\u003eEra: Intaglio dates from the Roman Republic, circa 100 BC. Ring mount is contemporary.\u003cbr\u003e\u003cbr\u003eRing size: 8 US or P 1\/2 UK\/AUS. Resizable for £35.\u003cbr\u003e\u003cbr\u003eHead size: 15.9mm by 13.8mm\u003cbr\u003e\u003cbr\u003eMarks: None, tested as 22ct and 18ct gold\u003cbr\u003e\u003cbr\u003eCondition: Great. Wear to the stone consistent with age.","brand":"Lost Classics","offers":[{"title":"Default Title","offer_id":45346120991032,"sku":"LO1025","price":2750.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/ancient-roman-mars-signet-ring-256632.jpg?v=1694953656"},{"product_id":"neoclassical-the-muses-cameo-bracelet","title":"Neoclassical \"The Muses\" Cameo Bracelet","description":"\u003cp\u003eAn exquisite neoclassical Parian Ware cameo bracelet depicting the seven (of the nine) classical muses. The cameos are mounted in 15ct gold oval bezels to form panels, linked with short lengths of gold chain with a concealed tongue clasp slotting behind the final figure. It dates from the early Victorian period, circa 1850, an especially fine and early example of Parian Ware: a fine style of biscuit porcelain, developed around 1845. The Staffordshire manufacturer Mintons claimed to have first created the medium in order to simulate the appearance of the white marble favoured by sculptors since the Greek archaic period. It was named after the Greek island of Paros which was renowned for its fine-textured, white marble, however there is come contention over quite which of the \"very eminent\" pottery firms first perfected Parian... the judges at the Great Exhibition of 1851 noting that: \u003cbr\u003e\u003cbr\u003e\"... the Jury find that they could not recommend an award of the Council Medal for the invention of Parian without deciding on the disputed claim of priority between the very eminent firms, who severally advanced that claim with equal confidence. We have not felt it our duty to come to any such decision; especially as it would appear from the statement of each party that, whichever may have actually been first in publicly producing articles in this material both were contemporaneously working with success towards the same result.\"\u003cbr\u003e\u003cbr\u003eBut why not the full compliment of muses? A certain element of pragmatism over idealism would be my best guess... the bracelet would be far too long with an extra two panels, and although smaller panels could have been used the overall impact of the piece would have been significantly diminished. The two absentee muses also presents a unique conversation point... \u003cbr\u003e\u003cbr\u003eThe classical muses were nine goddesses in Greek mythology were believed to inspire creativity, often invoked by artists, writers, and musicians to help with their work. They were also associated with the arts and sciences and were seen as the guardians of knowledge and wisdom. They were considered the daughters of Zeus and Mnemosyne, the goddess of memory, with each muse believed to be responsible for a different field of creative endeavour. They were: Calliope; Clio; Erato, love poetry; Euterpe, music; Melpomene, tragedy; Polyhymnia, sacred poetry; Terpsichore, dance; Thalia, comedy; and Urania, astronomy. Their Roman counterparts were known as the Camenae, and their influence can still be seen in literature, art, and music to this day.\u003cbr\u003e\u003cbr\u003eEra: Early Victorian, circa 1850\u003cbr\u003e\u003cbr\u003eLength: 8 inches\u003cbr\u003e\u003cbr\u003ePanels: 2.9cm by 2.2cm\u003cbr\u003e\u003cbr\u003eMarks: None, tested as 15ct gold\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition. Minimal signs of wear. An acid test mark to the side of one of the bezel frames.\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45346137506104,"sku":"LO1026","price":1100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/neoclassical-the-muses-cameo-bracelet-223632.jpg?v=1686786241"},{"product_id":"neoclassical-zeus-cameo-ring","title":"Neoclassical Zeus Cameo Ring","description":"\u003cp\u003eZeus was the third son and sixth and final child born to the Titans Cronus and Rhea. After castrating his father, Uranus, Cronus became the supreme ruler of the cosmos. Cronus had received a terrifying prophecy from his parents (Gaia and Uranus) that suggested one of his children would eventually usurp him, as he had his own father, so as each child was in turn born, Cronus ate them whole. Hestia, Demeter, Hera, Hades, and Poseidon all ended up in the belly of their father causing their mother Rhea \"unceasing grief\". While carrying her sixth child, Zeus, she concocted a plan with the help of her parents (also Gaia and Uranus). They decided she would travel to Lyctus in Crete where she would give birth to Zeus before handing him over to Gaia, who would raise him in a cave on Mount Aegaeon. Rhea then gives to Cronus, in the place of a child, a stone wrapped in swaddling clothes which he promptly swallows, unaware that it isn't his third son. Zeus grows up swiftly, and on his reaching manhood (probably at like 14) \"by the stratagems of Gaia, but also by the skills and strength of Zeus\" Cronus is forced to vomit up the stone and the five siblings (in reverse order). He then goes on to free the Cyclopes who gifts him his thunderbolt as a token of gratitude, before beginning the Titanomachy, whereby the Olympian gods, led by Zeus, overthrow the Titans to assume ultimate control of the cosmos - with Zeus claiming the throne. This was, naturally, just the beginning of what was to be a long and eventful reign... His symbol was the eagle, representing power and majesty, and his sacred tree was the oak, through which he was said to manifest: when the oak leaves rustled, Zeus was speaking. His Roman equivalent was Jupiter, who also reigned supreme over their pantheon. \u003c\/p\u003e\n\u003cp\u003eThis remarkable Victorian signet ring is set with a cameo carving of Zeus, god of the sky and thunder, and king of the ancient Greek pantheon. The Olympian's face takes up the whole of the deep red cushion-shaped carnelian agate hardstone, with wild beard, stern gaze, and three-pronged crown atop his long, wavy locks. He's mounted in a bezel setting, the ring crafted in 18ct gold throughout and dating from the latter half of the 19th century, circa 1880.\u003cbr\u003e\u003cbr\u003eEra: Victorian circa 1880\u003cbr\u003e\u003cbr\u003eRing size: 9.5 US or S 1\/2 UK\/AUS. Resizable for £35\u003cbr\u003e\u003cbr\u003eHead size: 15.0mm by 11.7mm\u003cbr\u003e\u003cbr\u003eStone: Carnelian Agate\u003cbr\u003e\u003cbr\u003eMarks: None, tested as 18ct gold\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition. Light wear consistent with age.\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45346578858296,"sku":"LO1057","price":1800.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/neoclassical-zeus-cameo-ring-586296.jpg?v=1686786236"},{"product_id":"egyptian-revival-scarab-necklace","title":"Egyptian Revival Scarab Necklace","description":"Cool 1930s Egyptian Revival fringe necklace set with five faience scarabs and four enamelled lotus flower drops. It bears Egyptian silver marks, made in the wake of the sensational discovery of Tutankhamun's tomb, previously undisturbed and complete with that iconic repoussé gold funerary mask and full complement of grave goods. Here, the scarabs and flowers are suspended from long paperclip links, and the necklace dates from the early 1930s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe wave of Egyptomania that broke over Europe and America in the mid 1920s was, in part, responsible for elements borrowed from Ancient Egyptian design and architecture forming an integral part of the Art Deco movement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe scarabs are made of \"faience\" with the most wonderful turquoise-blue glazed finish. It's a type of ceramic material, produced in Egypt for many thousands of years, and thought to hold magical properties of fertility, renewal, and rebirth. It's created from powdered quartz (silica, probably literally sand) mixed with various alkaline salts, small amounts of lime, and a metallic colourant (often sodium and calcium).\u003cbr\u003e\u003cbr\u003eEra: Art Deco, 1932\u003cbr\u003e\u003cbr\u003eLength: 16 inches\u003cbr\u003e\u003cbr\u003eScarabs: 16mm to 15mm in length\u003cbr\u003e\u003cbr\u003eMarks: Egyptian silver marks from 1932\/33\u003cbr\u003e\u003cbr\u003eCondition: Great antique condition with superb patina. Some natural crazing\/wear to the scarabs and minor enamel wear consistent with age.","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45346808398136,"sku":"LO1084","price":350.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/egyptian-revival-scarab-necklace-706686.jpg?v=1686786209"},{"product_id":"victorian-herakles-cameo-ring","title":"Victorian Hercules Cameo Ring","description":"\u003cp\u003eVictorian shell cameo ring depicting the most famous of the ancient Greek heroes: Herakles. Or Hercules if you're Roman. Complete with his famous lion cloak and full beard, he's shown in profile and in hight relief, the artist expertly utilising the white band of the bull's mouth shell over an orange-brown background. Dating from the latter half of the 19th century, circa 1880, the cameo is mounted in a 9ct gold ring with simple split shoulders and bezel setting. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHeroes are the mortal offspring of gods, who prove their worth by daring and courageous deeds. Herakles (aka Heracles or Hercules) is probably the best known hero of them all... the mortal son of Alkmene and Zeus, he murdered his family while afflicted by a madness induced by Hera (who had already tried to kill him as an infant by sending serpents to his crib... the baby, already showing superhuman strength, promptly strangled the two snakes, one in each hand). When his head cleared and he realised what he'd done (to his family, not the snakes), the young lad was distraught with grief. He sought out Apollo, who told him the only way to atone for his crime was to seek out Eurystheos, the king of Mycenae, who would assign him seven tasks: the famous Labours of Herakles.\u003c\/p\u003e\n\u003cp\u003eThe first task was to kill a troublesome lion that was terrorising the folk of Nemea in the Peloponnesos. Eurystheos instructed Herakles to slay the beast, but his weapons were useless against the Nemean lion's impenetrable hide. Instead, he wrestled the lion to the ground, strangled it, and removed the creature’s tough hide with its own claws. Eurystheos was somewhat surprised to see the hero return with the lion pelt slung over his shoulder, so proceeded to set him more-and-more dangerous and\/or apparently impossible tasks: slay the Lernaean Hydra; capture Artemis's sacred deer, Hind of Keryneia (and this incur the wrath of the goddess); capture the wild boar of Erymanthos; clear out the Augean Stables (in one day); purge the man-eating birds of Lake Stymphalia; and finally to capture the Cretan bull. The bull, Eurystheos decided, was to be sacrificed in honour of Hera, who obviously refused the offering as it was a sign of Herakles's success, so the Mycenaean king set him an eighth labour (to return with the man-eating horses owned by the Thracian king Diomedes). And then a ninth. And then a tenth... eleventh... and finally a twelfth. The last was by far and away the most dangerous, the most impossible, requiring our weary hero to venture down to the underworld and return with Kerberos, the three-headed guard dog belonging to Hades himself. Which he naturally accomplished using nothing more than brute strength. Can you even imagine what Hera must have thought?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEra: Victorian circa 1880\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRing size: 6.75 US or N UK\/AUS. Resizable for £35. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHead size: 2.1cm by 1.6cm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStone: Shell cameo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMarks: Stamped 9ct \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCondition: Great antique condition. Light wear consistent with age\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45351944716600,"sku":"LO1064","price":700.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-herakles-cameo-ring-151565.jpg?v=1686786254"},{"product_id":"victorian-first-triumvirate-cameo-brooch","title":"Victorian \"First Triumvirate\" Cameo Brooch","description":"A Grand Tour cameo brooch carved to depict the first Roman triumvirate: Julius Caesar, Pompey Magnus, and Marcus Crassus. The trio are carved in high relief wearing laurel wreaths, their busts in white over the orangish-brown band of a bull's tongue shell - mounted in black glass and an ornate 9ct rose gold border. The reverse features a glass locket compartment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first Roman triumvirate was a political alliance formed in 60 BC between three prominent Roman politicians: Julius Caesar, Pompey, and Marcus Crassus. The purpose of the triumvirate was to consolidate their power and influence in Roman politics, as well as to advance their own personal agendas. They split the empire into three sections: Caesar kept Gaul, Pompey took Hispania, and Crassus Syria. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJulius Caesar, having just returned from his conquests in Gaul, was popular amongst the people, but lacked the gravitas to realise his political ambitions. Pompey was a celebrated military leader, famous for his campaigns against Sertorius, Mithridates, and the Cilician Pirates, and had already served as consul. Marcus Crassus was a wealthy businessman and politician who had also served as consul previously and was looking to increase his... well wealth, mainly. He did also defeat the infamous Spartacus, in fairness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTogether, the triumvirs formed a powerful political bloc that dominated Roman politics for several years. Although they pretty much hated each other's guts, they saw an opportunity for mutual progression, and used their combined influence to pass legislation favourable to their interests. Pompey and Crassus were often at odds with each other, and Caesar's rising popularity and ambition eventually led to his break with Pompey and the outbreak of civil war - ultimately leading to the dissolution of the Republic, the assassination of Caesar, and the rise of Augustus as the first Roman emperor. Crassus had already, by this point, got himself killed on a grossly miscalculated march against the Parthians. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEra: Victorian circa 1860\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSize: 3.2cm by 2.8cm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStone: Shell cameo\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMarks: Stamped 9ct\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCondition: Great antique condition. Some chips to the glass cameo mount.","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45355628167480,"sku":"LO1016","price":800.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-first-triumvirate-cameo-brooch-628802.jpg?v=1686786236"},{"product_id":"georgian-minerva-cameo-ring","title":"Georgian Minerva Cameo Ring","description":"Fantastic neoclassical cameo ring depicting Minerva in profile with her trademark Corinthian helmet. The subject is carved from a white band over a translucent yellowish background on a single piece of hardstone agate. It's crafted in 18ct gold and dates from the Georgian period, circa 1800.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMinerva is the Roman equivalent of Athena, from the Greek pantheon. To the Romans, she represented wisdom, justice, law, victory, and was the sponsor of arts, trade, and strategy. Although she was, in a literal sense, a war deity, she wasn't a patron of violence (like Mars) but of strategic warfare. Along with Jupiter and Juno, Minerva completed the Capitoline Triad, to whom the elaborate temple atop the Capitoline hill was dedicated. Indeed, she was most highly revered, honoured, and respected, holding a central place in the public religion of Rome. Marcus Terentius Varro considered her to be ideal and the plan for the universe personified. Her most recognised symbol is the owl, for wisdom, but she was also associated with snakes and olive trees. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEra: Georgian circa 1800\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRing size: 5 US or J UK\/AUS. Resizable for £35.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHead size: 16.8mm by 14.1mm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStone: Hardstone Agate\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMarks: None, tested as 18ct gold\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCondition: Great antique condition","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45356315443512,"sku":"BLO1058","price":1350.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/georgian-minerva-cameo-ring-129064.jpg?v=1686786216"},{"product_id":"egyptian-revival-scarab-swivel-ring","title":"Egyptian Revival Scarab Swivel Ring","description":"An antique Egyptian Revival scarab spinner ring dating from the mid 19th century. These rings are more-or-less identical copies of ancient counterparts found sealed in the tombs of the Valley of Kings in Luxor, Egypt - made during a wave of Egyptomania that swept over Victorian high society. The head swivels a full 360 degrees, meaning it can be worn to display either the scarab's back or the cartouche seal which would have been used to create wax or clay imprints. Crafted in 18ct gold.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe scarab is made of \"faience\" and has the most wonderful turquoise-blue glazed finish. It's a type of ceramic material that's been produced in Egypt for many thousands of years, and was thought to hold magical properties of fertility, renewal, and rebirth. It's created from powdered quartz (silica, probably literally sand) mixed with various alkaline salts, small amounts of lime, and a metallic colourant (often sodium and calcium).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEra: Victorian circa 1870\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRing size: 4 US or H UK\/AUS\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHead size: 14.1mm by 13.0mm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStone: Faience\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMarks: None, tested as 18ct gold\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCondition: Great antique condition. Some crazing to the glaze consistent with age","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45357069697336,"sku":"LO1015","price":1250.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/egyptian-revival-scarab-swivel-ring-138699.jpg?v=1686824343"},{"product_id":"neoclassical-athena-intaglio-ring","title":"Neoclassical Athena Intaglio Ring","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"a8sc1\" data-offset-key=\"c86ip-0-0\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-offset-key=\"c86ip-0-0\" class=\"_1mf _1mj\" data-mce-fragment=\"1\"\u003eAthena was goddess of Wisdom and War. A warrior goddess and protector of cities, she was closely associated with Nike, goddess of victory, although unlike Ares, also a war god, she had no interest in violence for its own sake (the wisdom part on full display here). She represented the 'civilised' and 'intellectual' side of war - the virtues of justice and skill - whereas Ares, the least respected of the twelve Olympian gods, represented blood lust and brute force. She became the goddess of good council, to kings and warrior-heroes alike, encouraging prudent restraint and practical insight. She was the also the patron of artisans, craftsmen, and the household handicrafts such as spinning and weaving.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"a8sc1\" data-offset-key=\"9dhlp-0-0\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-offset-key=\"9dhlp-0-0\" class=\"_1mf _1mj\" data-mce-fragment=\"1\"\u003e\u003cspan data-offset-key=\"9dhlp-0-0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"a8sc1\" data-offset-key=\"4nn34-0-0\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-offset-key=\"4nn34-0-0\" class=\"_1mf _1mj\" data-mce-fragment=\"1\"\u003e\u003cspan data-offset-key=\"4nn34-0-0\" data-mce-fragment=\"1\"\u003eAthena's main temple was the Parthenon in Athens, the great city to which she lent her name. She was usually depicted in full armour, Corinthian helmet pushed back to show her stern and beautiful face, spear in hand, and the aegis, the goat hide shield loaned to her by Zeus, by her side. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"a8sc1\" data-offset-key=\"dbjqa-0-0\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-offset-key=\"dbjqa-0-0\" class=\"_1mf _1mj\" data-mce-fragment=\"1\"\u003e\u003cspan data-offset-key=\"dbjqa-0-0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"a8sc1\" data-offset-key=\"6lenf-0-0\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-offset-key=\"6lenf-0-0\" class=\"_1mf _1mj\" data-mce-fragment=\"1\"\u003e\u003cspan data-offset-key=\"6lenf-0-0\" data-mce-fragment=\"1\"\u003eHer birth was, to say the least, remarkable. On hearing a prophecy that his own children would some day become greater than he himself, Zeus took a leaf out of his own father, Cronus's, book, and swallowed the pregnant Titaness Metis (Athena's mother) whole. Shortly thereafter, Zeus began to suffer a series of blinding headaches, becoming so bad that he ordered Hephaestus to split his forehead open with an axe. And out sprang Athena, fully grown and armed. \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"a8sc1\" data-offset-key=\"fpslb-0-0\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-offset-key=\"fpslb-0-0\" class=\"_1mf _1mj\" data-mce-fragment=\"1\"\u003e\u003cspan data-offset-key=\"fpslb-0-0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\" data-block=\"true\" data-editor=\"a8sc1\" data-offset-key=\"r7hq-0-0\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-offset-key=\"r7hq-0-0\" class=\"_1mf _1mj\" data-mce-fragment=\"1\"\u003e\u003cspan data-offset-key=\"r7hq-0-0\" data-mce-fragment=\"1\"\u003eThis Georgian signet ring was made during the early decades of the 19th century, circa 1820. The carnelian panel is intaglio carved with an image of Athena, seated, with Zeus in eagle form perched atop a column at her side. She has a snake coiled on her lap, symbolising her prudence, and Medusa's gigantic face is clearly visible on the shield (the aegis). The detail is superb, mounted in a 15ct gold signet ring with grooved bezel setting.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEra: Neoclassical, circa 1820\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRing size: 10.75 US or V 1\/2 UK\/AUS. Resizable for £35.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHead size: 15.8mm by 13.0mm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStone: Carnelian agate\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMarks: None, tested as 15ct gold\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCondition: Great antique condition\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45361417650488,"sku":"LO1107","price":2860.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/neoclassical-athena-intaglio-ring-879218.jpg?v=1686824301"},{"product_id":"ancient-egyptian-scarab-swivel-ring","title":"Ancient Egyptian Scarab Swivel Ring","description":"\u003cp\u003eRemarkable ancient scarab bead mounted in a 19th century swivel mount. The stone is a bright, vibrant orange colour, carved in naturalistic likeness of the scarab beetle with a drill hole through the middle allowing it to be mounted - it dates from the New Kingdom, circa 1100 BC. The base remains uncarved. Set in a circa 1870 swivel mount allowing it to spin around the long axis, the design, as part of the Archaeological Revival style, is borrowed from example found during excavations in Luxor. \u003c\/p\u003e\n\u003cp\u003eThe scarab beetle, aka dung beetles, was a symbol of renewal and rebirth to the Ancient Egyptians - not at all the destructive entity as portrayed in modern Western cinema. The beetle was closely associated with the sun god, Ra, partly because of the balls of dung they roll across the desert (as the sun rolls across the sky each day), and partly because they laid their eggs in these balls - the hatching of their young perceived to be a spontaneous act of self creation, bringing them yet closer to the sun god.\u003c\/p\u003e\n\u003cp\u003eEra: Scarab, New Kingdom circa 1100 BC. Ring mount, Victorian circa 1870\u003c\/p\u003e\n\u003cp\u003eRing size: 6 US or L 1\/2 UK\/AUS. Resizable for £35.\u003c\/p\u003e\n\u003cp\u003eHead size: 15.8mm by 8.5mm\u003c\/p\u003e\n\u003cp\u003eScarab: 12.5mm by 8.5mm by 6.2mm\u003c\/p\u003e\n\u003cp\u003eStone: Carnelian agate bead\u003c\/p\u003e\n\u003cp\u003eMarks: None, tested as 18ct gold\u003c\/p\u003e\n\u003cp\u003eCondition: Good, with minimal signs of wear. There is a small chip to the top edge of the drill hole.\u003c\/p\u003e","brand":"Lost Classics","offers":[{"title":"Default Title","offer_id":45454973403448,"sku":"LO1105","price":1750.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/ancient-egyptian-scarab-swivel-ring-399846.jpg?v=1687468060"},{"product_id":"victorian-egyptian-cartouche-ring","title":"Victorian Egyptian Cartouche Ring","description":"\u003cp\u003eA remarkable 19th century ring set with an ancient Egyptian cartouche featuring various hieroglyphics including a scarab, sun disc,\u003cspan data-mce-fragment=\"1\"\u003e basket, feather of Maat, and a papyrus stem. Clearly once the base of a carved steatite scarab (the drill holes are visible at the back where it's split in two), the stone is now mounted in a Victorian 18ct gold ring with elegant shoulders displaying trifurcation and scrolled details. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEra: Stone, Egyptian circa 1000 BC. Ring, Victorian circa 1890\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRing size: 10.5 US or V UK\/AUS. Resizable for £35.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHead size: 16.8mm by 13.0mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eStone: Steatite (soapstone)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarks: Stamped 18ct\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: Great antique condition. The stone is the base of a carved bead that's split in two.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45507154706744,"sku":"LO1065","price":1200.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-egyptian-cartouche-ring-397003.jpg?v=1687894438"},{"product_id":"1920s-egyptian-revival-gold-mummy","title":"1920s Egyptian Revival Gold Mummy","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCool Egyptian Revival sarcophagus and mummy charm. Unusually, it's built in gold; and even more unusually it's built in 12ct gold. The outer casing is hinged at the bottom, opening to release the mummy inside. They're both finished in colourful enamel with hieroglyphics, cartouches, a winged scarab decorating the sarcophagus, and diagonal bands representing the embalming cloth on the mummy. Stamped 12ct inside the coffin lid.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe discovery of Tutankhamun's tomb in 1922 sparked a wave of Egyptomania in Europe and the USA, with Egyptian themes both directly and indirectly inspiring the jewellery and fashions of the Art Deco period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEra: Art Deco circa 1925\u003c\/p\u003e\n\u003cp\u003eSize: 22.5mm by 5.6mm\u003c\/p\u003e\n\u003cp\u003eMarks: Stamped 12ct (gold)\u003c\/p\u003e\n\u003cp\u003eCondition: Great antique condition. Small areas of enamel loss, see images.\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45665797472568,"sku":"LO1075","price":600.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/1920s-egyptian-revival-gold-mummy-914337.jpg?v=1689413861"},{"product_id":"1920s-faience-scarab-pendant","title":"1920s Faience Scarab Pendant","description":"\u003cp\u003eCool antique scarab pendant dating from the Egyptian Revival of the 1920s. The scarab is large in scale, and unusually decorated with hieroglyphics and an abstract pattern on its back and a cartouche to the base. The glaze is a combination of turquoise and beige\/sandy colour, and it's mounted in silver. \u003c\/p\u003e\n\u003cp\u003eEra: Art Deco circa 1925\u003c\/p\u003e\n\u003cp\u003eSize:  3.9cm by 2.3cm (including bail)\u003c\/p\u003e\n\u003cp\u003eStone: Faience\u003c\/p\u003e\n\u003cp\u003eMarks: Egyptian silver mark\u003c\/p\u003e\n\u003cp\u003eCondition: Good antique condition. A small chip to the side\/leg of the scarab and one to the back\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":45694830772536,"sku":"LO1165","price":300.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/1920s-faience-scarab-pendant-550351.jpg?v=1689724943"},{"product_id":"victorian-emerald-scarab-ring","title":"Victorian Emerald Scarab Ring","description":"\u003cp\u003e*ON HOLD* A wonderful 19th century Egyptian Revival cluster ring built around a carved emerald scarab beetle. Two triangular emeralds furnish the north and south compass points, with diamonds to the east and west and pearls set in rococo-inspired swirls of 'ribbon' complete the border. The scarab itself features carved anatomical detailing with a cartouche underneath - it's not drilled through the middle as they often were. Crafted in 15 carat gold and silver, the ring dates from the 1870s.\u003c\/p\u003e\n\u003cp\u003eEra: Mid Victorian circa 1870\u003c\/p\u003e\n\u003cp\u003eRing size: 5.25 US or K UK\/AUS. Resizable for £35.\u003c\/p\u003e\n\u003cp\u003eHead size: 2.2cm by 1.6cm\u003c\/p\u003e\n\u003cp\u003eStones: Emerald, Diamond, Pearl\u003c\/p\u003e\n\u003cp\u003eMarks: None, tested as 15ct gold\u003c\/p\u003e\n\u003cp\u003eCondition: Good antique condition with light wear consistent with age\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45698117534008,"sku":"LO1158","price":1250.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-emerald-scarab-ring-820723.jpg?v=1689973688"},{"product_id":"ancient-revival-silver-snake-earrings","title":"Ancient Revival Silver Snake Earrings","description":"\u003cp\u003eUnusual vintage silver earrings modelled in an ancient revivalist style, reminiscent of finds from European bronze age. Triangular drops with serpent motifs dangle beneath half-moon tops decorated with concentric ridges; the flat surfaces are beautifully textured throughout, accentuating the ancient vibes. They're crafted in sterling silver with London hallmarks from the year 1994.\u003c\/p\u003e\n\u003cp\u003eEra: Vintage, 1994\u003c\/p\u003e\n\u003cp\u003eSize: 3.9cm by 2.0cm\u003c\/p\u003e\n\u003cp\u003eHallmarks: English, London, Sterling Silver, 1994\u003c\/p\u003e\n\u003cp\u003eCondition: Great vintage condition\u003c\/p\u003e","brand":"Lost Vintage","offers":[{"title":"Default Title","offer_id":45880207245624,"sku":"LO1159","price":150.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/ancient-revival-silver-snake-earrings-431333.jpg?v=1690636430"},{"product_id":"1896-sun-stag-signet-ring","title":"1896 'Sun Stag' Signet Ring","description":"\u003cp\u003eThe stag, with its great, branching antlers encircling the sun, is a symbol that dates back to our earliest human history, a symbol of life, renewal, and spiritual transcendence.  To our ancient ancestors deer would have been central to survival and as such their imagery is deeply ingrained in our psyche, imagination and mythology. Some of our earliest deities were antlered creatures, they have been worshiped for millenia by people from every corner of the earth from Europe and Asia to America.\u003c\/p\u003e\n\u003cp\u003eThe Stag, instantly recognisable with his huge majestic antlers, he represents nobility, honour, sexuality and protection of the herd; he is devoted to the care and creation of his offspring. Female deer do not grow antlers and yet we find the image of the ‘antlered doe’ peppered through the mythology of Europe and Asia, so maybe we are looking at a doe and not a stag? The Doe is all gracefulness, gentleness and sensitivity. She has a highly attuned senses and is aware and alert to her environment, she is, therefore, symbol for our intuition and the ability to see clearly through illusions or chaotic situations.\u003c\/p\u003e\n\u003cp\u003eIn mythology from the Eurasian Steppe the cosmos and mother of the sun is a large antlered Celestial Doe often shown carrying the sun in her horns. In Hungarian folklore it is her son, the stag, who bears the sun with the doe representing the cosmos and heavenly firmament. The stag steals the sun between his antlers and each winter solstice the Hunter must chase down this mighty beast to bring back the light. In the Hungarian origin myth it is a miraculous hind (doe) with golden antlers and the sun on its breast who leads two hunters to the bountiful land that becomes Hungary.\u003c\/p\u003e\n\u003cp\u003eHuge migrations of hundreds of reindeer for hundreds of miles happen each year on the Finnmarksvidda plateau, a phenomenon that is over 10,000 years old and it's these epic journeys that associate reindeer with spiritual transcendence. The migration is usually led by a mature doe, the only female deer who IS antlered.  Male reindeer actually lose their antlers over winter and they don't begin to grow back until February, so if you see an antlered reindeer at Christmas time (ehem, Rudolph) you’re actually looking at a female.  Siberian mythology tells of the Deer Mother Goddess who flies across the sky, bringing back the sun on the Winter Solstice and is perhaps the origin of the Santa Claus story.\u003c\/p\u003e\n\u003cp\u003eStag or mythical doe these majestic animals with antlers like rays of sunlight, evoke the wild mysteries of the forest, the natural cycles of death and rebirth, and, through their great migrations, transcendence. When coupled with the life bringing sun, the symbolism is powerful indeed.\u003c\/p\u003e\n\u003cp\u003eThe signet ring dates from the late 19th century, set with a carnelian panel that we've had carved with a sun stag crest in the traditional, heraldic style using traditional tools and techniques. To my knowledge, this is the first time a sun stag has been realised within the glyptic arts. The detail is breathtaking. Crafted in 18ct gold with English hallmarks from the year 1896.\u003c\/p\u003e\n\u003cp\u003eEra: Victorian, 1896\u003c\/p\u003e\n\u003cp\u003eRing size: 9.25 US or S UK\/AUS. Resizable for £35.\u003c\/p\u003e\n\u003cp\u003eHead size: 12.5mm by 11.0mm\u003c\/p\u003e\n\u003cp\u003eStone: Carnelian agate\u003c\/p\u003e\n\u003cp\u003eHallmarks: English, Birmingham, 18ct Gold, 1896\u003c\/p\u003e\n\u003cp\u003eCondition: Great antique condition\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":45881103941944,"sku":"LO847","price":1100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/1896-sun-stag-signet-ring-204165.jpg?v=1690636431"},{"product_id":"vintage-maeshowe-dragon-brooch","title":"Vintage 'Maeshowe Dragon' Brooch","description":"\u003cp\u003eCool silver brooch modelled after the \u003cem\u003eMaeshowe Dragon\u003c\/em\u003e - one of Orkney's most iconic symbols. A highly stylised human figure, with wild limbs akimbo clings on to an (actually quite serene-looking) dragon in an attempt to slay the beast - with typical swirling accents applied to the head and legs of the rider, and simple engraved scale details to the dragon. The \"dragon\" - although there is debate as to which creature, exactly, is being depicted here - is thought to have been carved in the 12th century, by one of the Norsemen who broke into the pre-historic chambered cairn. Some suggest the beast may be a wolf, a lion, or even the Fenrir from Norse mythology, but the most widely accepted interpretation is of a dragon - representing paganism - being slain by the sword of Christian belief. A fine piece of Scottish silver jewellery, the brooch is beautifully made, with Edinburgh hallmarks from the year 1968.\u003c\/p\u003e\n\u003cp\u003eEra: Vintage, 1968\u003c\/p\u003e\n\u003cp\u003eSize: 4.8cm by 4.6cm\u003c\/p\u003e\n\u003cp\u003eHallmarks: Scottish, Sterling Silver, Edinburgh, 1968\u003c\/p\u003e\n\u003cp\u003eCondition: Great vintage condition. \u003c\/p\u003e","brand":"Lost Vintage","offers":[{"title":"Default Title","offer_id":46015285199160,"sku":"LO1149","price":165.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/vintage-maeshowe-dragon-brooch-284033.jpg?v=1691590217"},{"product_id":"victorian-gold-wyvern-locket","title":"Victorian Gold Wyvern Locket","description":"\u003cp\u003eAn outstanding antique oval locket featuring a pair of (near) identical Wyverns, a type of two legged dragon from the murky depths of English mythology and folklore. The beast comprises a venomous, serpentine, pointed tail, two wings (bird-like with feathers, in this case), and two legs, rather than the usual four as in the Welsh dragon. This one also has a double barbed, arrow-like tongue, feathered head, wide open mouth, and a little goatee beard not unlike an ancient Egyptian pharaoh. It's crafted in 14ct yellow gold with gorgeous, deep hand-carved engraving and an acetate glazed locket compartment within. Dating from the late Victorian period, circa 1890.\u003c\/p\u003e\n\u003cp\u003eThe winged snake features prominently in most ancient Mediterranean cultures, notably the Egyptian goddess Wadjet, but the oldest outright reference is to the beasts pulling Helios's sun chariot (winged dragons). The first reference to the Wyvern, in Britain, is in the 14th century \u003cem\u003eGreat Roll\u003c\/em\u003e, from the French \"wyvre\" meaning \"serpent\", and the creature became associated with Wessex and the old Celtic kingdoms of Wales, the West Country, and the North West of England. By the 16th century, the Wyvern was distinguished from the dragon as a separate heraldic entity. They're often depicted like these two, with claws raised into the air resting their tails only. In mythology, wyverns are associated with viciousness, envy, and pestilence, but in heraldry, they symbolise the overthrowing of the tyranny of Satan and his demonic forces. Indeed, Christian traditions often depict dragon-like creatures protecting treasure - like a personal keepsake stored within a precious locket. \u003c\/p\u003e\n\u003cp\u003eEra: Victorian, circa 1890\u003c\/p\u003e\n\u003cp\u003eSize: 3.1cm by 2.3cm\u003c\/p\u003e\n\u003cp\u003eMarks: Stamped 585 (14ct gold) and unknown maker's mark. Possibly Finnish.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: Great antique condition with original interior fittings. Has been gilded with bright yellow gold, worn at the edges.\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":46015842812216,"sku":"EJ010","price":950.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-gold-wyvern-locket-652228.jpg?v=1691590196"},{"product_id":"etruscan-revival-greek-key-pendant","title":"Etruscan Revival Greek Key Pendant","description":"\u003cp\u003eStriking antique pendant in the Etruscan Revival style, characterised by fine applied ropework (three different thicknesses!), bright high carat yellow gold, and an enamelled meander (aka Greek key) pattern around the central bullseye agate cabochon. It's crafted in 15ct gold and dates from the latter half of the 19th century, circa 1870, when such revivalist jewellery was at the height of its popularity. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Etruscan Revival movement is characterised by its elaborate use of complex designs, often incorporating motifs and themes borrowed from ancient Greece. Discoveries of ancient tombs and artefacts in Pompeii and Herculaneum during the early decades of the 19th century captured the imaginations of the landed Brits, and during the course of the century various revivalist movements came to fruition: Egyptian, Archaeological, and Etruscan, being the most prominent. The intricate goldwork employed by ancient Etruscan artisans enchanted both working jewellers and the high society of the time, indeed it took more than a decade for jewellers re-learn the techniques used by their ancient counterparts - so they say.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEra: Victorian, circa 1870\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSize: 3.0cm by 2.3cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStone: Banded \"Bullseye\" Agate\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMarks: None, tested as 15ct gold\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition: Great antique condition. The enamel is pristine. It likely originally had a glazed locket compartment to the reverse.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":46268154904888,"sku":"LO1190","price":600.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/etruscan-revival-greek-key-pendant-164833.jpg?v=1692219459"},{"product_id":"art-deco-winged-scarab-brooch","title":"Art Deco Winged Scarab Brooch","description":"\u003cp\u003eWonderful 1920s Egyptian Revival winged scarab brooch. It's crafted in silver with vibrant green and orange plique-à-jour enamelling and pink almandine garnet centre - possibly of German origin.\u003c\/p\u003e\n\u003cp\u003eThe 1920s saw a wave of Egyptomaina break over Europe and the USA, after Howard Carter opened the tomb of Tutankhamun in 1922, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ewith Egyptian themes both directly and indirectly inspiring the jewellery and fashions of the Art Deco period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSize: 6.0cm by 1.8cm\u003c\/p\u003e\n\u003cp\u003eStone: Garnet, variety almandine-pyrope\u003c\/p\u003e\n\u003cp\u003eMarks: Stamped 800 (silver)\u003c\/p\u003e\n\u003cp\u003eCondition: Great antique condition\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":46357978775864,"sku":"LO1238","price":585.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/art-deco-winged-scarab-brooch-434090.jpg?v=1692387134"},{"product_id":"victorian-day-night-cameo-brooch","title":"Victorian \"Day \u0026 Night\" Cameo Brooch","description":"\u003cp\u003e\u003cem\u003eNight and Day passing near greet one another as they cross the great bronze threshold. The one is about to go in and the other is going out the door, and never does the house hold them both inside, but always the one goes out from the house and passes over the earth, while the other in turn remaining inside the house waits for the time of her own departure, until it comes. The one holds much-seeing light for those on the earth, but the other holds Sleep in her hands, the brother of Death—deadly Night, shrouded in murky cloud. \u003c\/em\u003e- Hesiod, Theogony (748-757)\u003c\/p\u003e\n\u003cp\u003eNyx and Hemera: night and day. The two classical deities, mother and daughter, here rendered in fantastic detail, with their respective companion symbols... Nyx with her owl, sleep-inducing poppies, crescent moon, and veil, and eyes closed; Hemera with her dove, floral headdress, and looking up to the sun. The bull's mouth shell has been carved with the subjects in white over an orangish-brown background, mounted in a gilt metal frame. Victorian, circa 1860. \u003c\/p\u003e\n\u003cp\u003eEra: Victorian, circa 1860\u003c\/p\u003e\n\u003cp\u003eSize: 6.1cm by 5.1cm\u003c\/p\u003e\n\u003cp\u003eStone: Shell cameo\u003c\/p\u003e\n\u003cp\u003eMarks: None, tested as gilt metal\u003c\/p\u003e\n\u003cp\u003eCondition: Good antique condition. A couple of small areas of tarnish on one side of the setting. Can be polished out if desired, prior to shipping\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":46703864250680,"sku":"LO1102","price":385.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-day-night-cameo-brooch-910732.jpg?v=1693627935"},{"product_id":"ancient-roman-gold-earrings","title":"Ancient Roman Gold Earrings","description":"\u003cp\u003eA pair of gold earrings made in Roman Cypress during the 2nd century AD. They're formed as stylised grape bunches with simple ear wires, all crafted in high carat gold - around 22\/23ct. \u003c\/p\u003e\n\u003cp\u003eCyprus became a Roman province as late as 58BC, retaining Paphos as its principal city and famous for its temple dedicated to Aphrodite which features on coins minted on the island. Prior to Roman rule, the region was part of the Ptolemaic Kingdom established in 305BC by one of Alexander the Great's generals, Ptolemy I Soter (Alexander took over control from the Persians in 322BC). While it was a relatively small province, it was an important supplier of copper to the Eastern Mediterranean and was famed for a number of religious sanctuaries. The famous writer and orator Cicero served as one of the province's first proconsuls. \u003c\/p\u003e\n\u003cp\u003eAnd if you're wondering... yes, they are wearable.\u003c\/p\u003e\n\u003cp\u003eEra: Ancient, circa 2nd century AD\u003c\/p\u003e\n\u003cp\u003eSize: 21mm by 8mm (approx.)\u003c\/p\u003e\n\u003cp\u003eWeight: 1.6 grams (pair)\u003c\/p\u003e\n\u003cp\u003eCondition: Good. Evidence of an old repair to one of the hooks. Wear consistent with age\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":46727856030008,"sku":"LO1062","price":650.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/ancient-roman-gold-earrings-235515.jpg?v=1696445601"},{"product_id":"georgian-silver-cameo-ring","title":"Georgian Plato Cameo Ring","description":"\u003cp\u003eA large, Georgian cameo ring depicting Plato - one of the titans of Western philosophy. Crafted in silver throughout, the philosopher is depicted in relief with long hair and beard. The ring dates from the 1833, with partial London hallmarks for sterling silver.\u003c\/p\u003e\n\u003cp\u003ePerhaps best known for his radical work, \"The Republic,\" Plato (423\/428 to 348 BC) is one of the most famous Classical Greek philosophers - arguably after Aristotle and Socrates - and for good reason. As pupil of Socrates and mentor to Aristotle, Plato founded the Academy in Athens which was the first institution of higher learning in Europe. He would revolutionise Greek, and by extension Western, culture and philosophy with a threefold approach based upon ethics, dialects and physics. The lineage continued with Plato's student, Aristotle. Fast-forward a couple of millenia and Plato's effect on contemporary society remains great, right through to the 20th century. Frederich Nietzsche asserted that all of Western culture was growing in the shadow of Plato, while English mathematician and philosopher Alfred North Whitehead said \"the safest general characterisation of the European philosophical tradition is that it consists of a series of footnotes to Plato.\"\u003c\/p\u003e\n\u003cp\u003eEra: Georgian, 1833\u003c\/p\u003e\n\u003cp\u003eHead size: 2.7cm by 2.1cm\u003c\/p\u003e\n\u003cp\u003eRing size: O 1\/2 or 7.5 US. Resizable (within reason) for £35\u003c\/p\u003e\n\u003cp\u003eMarks: Partial English hallmarks for sterling silver, 1833\u003c\/p\u003e\n\u003cp\u003eCondition: Good, some light\/general wear consistent with age including dings to the band on one side\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":46957493354808,"sku":"LO1285","price":450.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/georgian-plato-cameo-ring-678301.jpg?v=1696445279"},{"product_id":"1920s-psyche-butterfly-wing-brooch","title":"1920s Psyche Butterfly Wing Brooch","description":"\u003cp\u003eAn antique butterfly wing brooch featuring a classical deity - possibly Psyche? - holding a rose. The figure is reverse intaglio pressed into the glass, then has been painted to look like a sulphide cameo. She's stood next to a small pedestal with a face on it (pandora's box?), a vase of flowers sitting on top and a pair of flying insects: a butterfly and a dragonfly. The background is a vivid iridescent blue morpho butterfly wing. Crafted in sterling silver with rope twist and open scalloped border. \u003c\/p\u003e\n\u003cp\u003eEra: Art Deco, circa 1920\u003c\/p\u003e\n\u003cp\u003eSize: 4.1cm by 3.0cm\u003c\/p\u003e\n\u003cp\u003eMarks: Stamped STERLING (silver)\u003c\/p\u003e\n\u003cp\u003eCondition: Fair, some light wear consistent with age. The edges of the butterfly wing have some damage - see images\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":47014162596152,"sku":"LO1092","price":120.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/1920s-psyche-butterfly-wing-brooch-798748.jpg?v=1696031446"},{"product_id":"vintage-athena-cameo-pendant","title":"Vintage Athena Cameo Pendant","description":"\u003cp\u003eA vintage silver cameo pendant depicting Athena. Athena was goddess of Wisdom and War. As a warrior goddess and protector of cities, she was closely associated with Nike, goddess of victory - although, unlike the war god Ares, she had no interest in violence for its own sake (her wisdom part on full display here). She represented a more 'civilised' or 'intellectual' side of war - her virtues of justice and skill - in sharp contrast with Ares, the least respected of the twelve Olympian gods, who represented blood-lust and brute force. She was the goddess of good council, to kings and warrior-heroes alike, encouraging prudent restraint and practical insight. She was the also the patron of artisans, craftsmen, and the household handicrafts such as spinning and weaving.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAccording to myth, her birth was, to say the least, remarkable. On hearing a prophecy that his own children would some day become greater than he himself, Zeus took a leaf out of his own father, Cronus's, book, and swallowed Athena's mother (the \u003cmeta charset=\"utf-8\"\u003epregnant Titaness Metis) whole. Shortly thereafter, Zeus began to suffer a series of blinding headaches which became so unbearable that he ordered Hephaestus to split his forehead open with an axe. And out sprang Athena, fully grown and fully armed. \u003c\/p\u003e\n\u003cp\u003eAthena's main temple was the Parthenon in Athens, the great city to which she lent her name. She was usually depicted in full armour, Corinthian helmet pushed back to show her stern and beautiful face, spear in hand, and the aegis, the goat hide shield loaned to her by Zeus, by her side.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBuilt in sterling silver with London hallmarks from 1981.\u003c\/p\u003e\n\u003cp\u003eEra: Vintage, 1981\u003c\/p\u003e\n\u003cp\u003eSize: 2.4cm by 1.8cm\u003c\/p\u003e\n\u003cp\u003eHallmarks: English, London, sterling silver, 1981\u003c\/p\u003e\n\u003cp\u003eCondition: Great vintage condition\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":47082942660920,"sku":"LO801","price":175.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/vintage-athena-cameo-pendant-304278.jpg?v=1696445463"},{"product_id":"etruscan-revival-coral-ring","title":"Etruscan Revival Coral Ring","description":"\u003cp\u003eBeautiful antique solitaire ring in the Etruscan Revival style. Dating from the mid 19th century, it's set with a natural coral cabochon - a gorgeous salmon colour - and crafted in 15ct yellow gold with granulated details and fine applied ropework around the head and band. \u003c\/p\u003e\n\u003cp\u003eThe Etruscans occupied the region formerly known as Etruria on Italian peninsula (modern day Tuscany) before the rise of Rome; their civilisation, one of the most magnificent Europe has ever seen, reached its peak in the 6th century BC, and its legacy influenced many aspects of the Roman empire. Essentially a federation of city-states, they were, amongst myriad other things, master goldsmiths, and shared a common language that is generally accepted as pre-Indo-European (!!!). The 19th century excavation of Etruscan tombs uncovered gold jewellery the likes of which had never been seen, inspiring jewellers (notably Carlo Giuliano) to produce replicas of these ancient treasures in the archaeological revival style - often as commissions from European royalty. Designs incorporated such motifs as: fine granulation, filligree, ropework, cannetille, micromosaics, and inlays of stones like lapis, carnelian, banded agate, and malachite. There were two distinct schools: jewellers who sought to create facsimile replicas of ancient pieces, and jewellers who drew influence from ancient techniques to produce unique creations of their own design.\u003c\/p\u003e\n\u003cp\u003eEra: Victorian, circa 1870\u003c\/p\u003e\n\u003cp\u003eHead size: 12.4mm by 9.8mm\u003c\/p\u003e\n\u003cp\u003eRing size: O 1\/2 or 7.5 US. Resizable for £35 (note sizing may interrupt the pattern on the band - get in touch to discuss)\u003c\/p\u003e\n\u003cp\u003eStone: Natural coral\u003c\/p\u003e\n\u003cp\u003eMarks: None, tested as 15ct gold\u003c\/p\u003e\n\u003cp\u003eCondition: Great antique condition, light wear consistent with age. One of the gold grains is missing - see images\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":47083003642168,"sku":"LO1312","price":600.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/etruscan-revival-coral-ring-731175.jpg?v=1696445281"},{"product_id":"georgian-nike-intaglio-ring","title":"Georgian Nike Intaglio Ring","description":"\u003cp\u003eCool antique signet ring set with a Georgian period Tassie seal depicting the Greek goddess Nike (aka Winged Victory). The seal is formed from orange glass, designed to create an imprint in wax. These seals, knowns as Tassies, feature a pressed \u003ca href=\"https:\/\/lostowl.com\/blogs\/history-lore\/paste-gemstones\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eglass paste\u003c\/a\u003e intaglio of an engraving by James or William Tassie. The pair created a prolific collection of engraved gems during the latter half of the 18th century, across a broad range of popular subjects including Classical deities and motifs, the \"heads of great Men such as Shakespeare, Milton etc.\", rebus puzzles, the Language of Flowers, popular sayings or mottos, names, etc. They became fantastically popular, as a letter from the poet John Keats to his sister, Fanny, attests: \u003c\/p\u003e\n\u003cp\u003e\"…On looking at your seal I cannot tell whether it is done or not with a Tassi – it seems to me to be paste—As I went through Leicester Square lately I was going to call and buy you some, but not knowing but you might have some I would not run the chance of buying duplicates—Tell me if you have any or if you would like any—and whether you would rather have motto ones like that with which I seal this letter; or heads of great Men such as Shakespeare, Milton \u0026amp;c—or fancy pieces of Art; such as Fame, Adonis \u0026amp;c—those gentry you read of at the end of the English Dictionary.\"\u003c\/p\u003e\n\u003cp\u003eThis one has been set into a later, Edwardian period, signet ring mount - possibly salvaged from a fob and repurposed into a more wearable article. It features split shoulders and Chester hallmarks from the year 1914. Crafted in 9ct yellow gold. \u003c\/p\u003e\n\u003cp\u003eEra: Seal, Georgain circa 1800 - Ring, Edwardian 1914\u003c\/p\u003e\n\u003cp\u003eHead size: 15.9mm by 12.5mm\u003c\/p\u003e\n\u003cp\u003eRing size: O 1\/2 or 7.5 US. Resizable for £35\u003c\/p\u003e\n\u003cp\u003eStone: \u003ca href=\"https:\/\/lostowl.com\/blogs\/history-lore\/paste-gemstones\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGlass Paste\u003c\/a\u003e Seal\u003c\/p\u003e\n\u003cp\u003eHallmarks: English, Chester, 9ct gold, 1914\u003c\/p\u003e\n\u003cp\u003eCondition: Good antique condition. Surface wear to the seal consistent with age - see images\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":47083190059320,"sku":"LO1311","price":650.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/georgian-nike-intaglio-ring-850704.jpg?v=1696445283"},{"product_id":"victorian-paris-cameo-ring","title":"Victorian Paris Cameo Ring","description":"\u003cp\u003eThe legend of the Trojan War has remained lodged in our imaginations for thousands of years. The events supposedly unfolded in the mortal realm as a direct result of a quarrel between Hera, Athena, and Aphrodite - indeed, the ancients believed the fall of Troy marked the end of the mythical age and the beginning of the historical age, and quite how much truth is contained within the stories has been as source of great debate amongst contemporary historians. The names of the key players - Helen and Paris, Hector and Achilles, Agamemnon and Priam - as well as the key events - launching 1000 ships, the Trojan Horse, the death of Achilles, etc. - remain well known to this day.\u003c\/p\u003e\n\u003cp\u003eCool antique cameo ring depicting the Paris, prince of Troy and son of Priam and Hecuba, who's elopement with Helen sparked the Trojan War. Paris, also known as Alexandros (\u003cem\u003eDefender\u003c\/em\u003e, in Greek) is depicted here wearing a Phrygian cap, a type of conical headgear sported - in antiquity - by the inhabitants Anatolia, including the Trojans and the Phrygians (although in more modern times, the cap became associated with liberty and freedom, through the American and French revolutions). A dream regarding his birth was interpreted as an evil portent, so Paris was cast out by his parents as a baby. He was nursed by a bear, and raised as a shepherd (unbeknownst to his parents, who had presumed him dead). Kind Priam, his father, accepted Paris back into the family after he defeated his brothers in a boxing tournament and his true identity was revealed. While still a shepherd, Paris was chosen, by Zeus, to decide which of the three goddesses, Hera, Athena, or Aphrodite, was most beautiful. He rejected bribes from Hera and Athena - kingly power and military might, respectively - before accepting Aphrodite's promise to match him up with the most beautiful moral woman: Helen or Troy. The rest, as they say, is history (or, probably more likely, myth). \u003c\/p\u003e\n\u003cp\u003eThe cameo is crafted in silver and the detail is excellent, with Paris rendered in profile looking to the right. It's mounted in a 9ct gold ring with twisted detailing around the band and simple split shoulders. \u003c\/p\u003e\n\u003cp\u003eEra: Victorian, circa 1880\u003c\/p\u003e\n\u003cp\u003eHead size: 1.6cm by 1.4cm\u003c\/p\u003e\n\u003cp\u003eRing size: R 1\/2 or 8.75 US. Resizable for £35\u003c\/p\u003e\n\u003cp\u003eMarks: Stamped 9ct\u003c\/p\u003e\n\u003cp\u003eCondition: Great antique condition. Cameo may pre-date the ring mount by a few decades\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":47084773966136,"sku":"LO1286","price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-paris-cameo-ring-104779.jpg?v=1696445458"},{"product_id":"1930s-pyramid-charm","title":"1930s Pyramid Charm","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCool gold pyramid dating from the 1930s, modelled after the colossal ancient Egyptian tombs at the Memphis necropolis. It's pretty big, at 1.5cm tall, making it suitable for wear as either a pendant or a charm. The discovery of Tutankhamun's undisturbed tomb in 1925 sparked a fresh wave of Egyptomaina, capturing the imagination of people around the world. Egyptian themes and motifs made their way into art and culture and design and fashion. Built in 14ct gold. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEra: Art Deco, 1930s\u003c\/p\u003e\n\u003cp\u003eSize: 1.8cm by 1.5cm (width by height)\u003c\/p\u003e\n\u003cp\u003eWeight: 3.8 grams\u003c\/p\u003e\n\u003cp\u003eMarks: Bail stamped 585\u003c\/p\u003e\n\u003cp\u003eCondition: Great vintage condition\u003c\/p\u003e","brand":"Lost Vintage","offers":[{"title":"Default Title","offer_id":47102389354808,"sku":"LO1009","price":285.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/1930s-pyramid-charm-701921.jpg?v=1696445600"},{"product_id":"egyptian-revival-garnet-hoops","title":"Egyptian Revival Garnet Hoops","description":"\u003cp\u003eCute Egyptian revival hoop earrings each set with two garnet beads flanking a white \u003ca href=\"https:\/\/lostowl.com\/blogs\/history-lore\/paste-gemstones\" target=\"_blank\" rel=\"noopener noreferrer\"\u003epaste gemstone\u003c\/a\u003e spinner. They date from the 1920s, crafted in 9ct gold with Egyptian marks. They're likely based on a design recovered from an ancient tomb at Luxor in the Archaeological Revivalist tradition.\u003c\/p\u003e\n\u003cp\u003eEra: Art Deco, circa 1925\u003c\/p\u003e\n\u003cp\u003eSize: 19mm diameter\u003c\/p\u003e\n\u003cp\u003eStones: Garnet and \u003ca href=\"https:\/\/lostowl.com\/blogs\/history-lore\/paste-gemstones\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePaste Gemstones\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eMarks: Egyptian gold marks\u003c\/p\u003e\n\u003cp\u003eCondition: Great antique condition\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":47155673235768,"sku":"LO1352","price":225.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/egyptian-revival-garnet-hoops-115532.jpg?v=1697273721"},{"product_id":"1930s-athena-cameo-brooch","title":"1930s Athena Cameo Brooch","description":"\u003cp\u003eCool Art Deco brooch set with a green hardstone cameo depicting Athena, Greek goddess of wisdom and war. She's depicted in profile with plumed helmet, expertly carved onto a white band over the green background. Set in a round 9ct gold brooch with open, granulated border.\u003c\/p\u003e\n\u003cp\u003eEra: Art Deco, circa 1930\u003c\/p\u003e\n\u003cp\u003eSize: 2.1cm\u003c\/p\u003e\n\u003cp\u003eStone: Hardstone agate\u003c\/p\u003e\n\u003cp\u003eMarks: None, tested as 9ct gold\u003c\/p\u003e\n\u003cp\u003eCondition: Great vintage condition\u003c\/p\u003e","brand":"Lost Owl Jewelry","offers":[{"title":"Default Title","offer_id":47258270433592,"sku":"EJ040","price":450.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/1930s-athena-cameo-brooch-960371.jpg?v=1698599488"},{"product_id":"victorian-maenad-cameo-brooch","title":"Victorian Maenad Cameo Brooch","description":"\u003cp\u003eMaenads*, the female followers of Dionysus, were a popular cameo subject during the 19th century. This exquisite example is carved from a single piece of Bull's Mouth shell, the bust depicted in profile and high relief, utilising the white band of the shell over an orangish-brown background. As was the Maenads' typical 19th century depiction, she wears vine leaves and bunches of grapes entwined in her hair, a diaphanous robe draped over one shoulder, and can be seen gazing upward with a serene look... In mythology, however, they were somewhat different - wild and frenzied women who cavorted with satyrs, devoured raw flesh, and were often found in the throes of rapturous dance brought on by excessive wine consumption. \u003c\/p\u003e\n\u003cp\u003eThis brooch dates from the mid Victorian period, circa 1860, featuring a simple gold mount with applied rope-twist border and rub-over setting that follows the contours of the shell's edges.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e*they were known as Bacchante to the Romans, followers of Bacchus\u003c\/p\u003e\n\u003cp\u003eEra: Victorian, circa 1860\u003c\/p\u003e\n\u003cp\u003eSize: 5.3cm by 4.6cm\u003c\/p\u003e\n\u003cp\u003eStone: Bull's Mouth shell\u003c\/p\u003e\n\u003cp\u003eMarks: None, tested as 9ct gold\u003c\/p\u003e\n\u003cp\u003eCondition: Great antique condition, light wear consistent with age\u003c\/p\u003e","brand":"Lost Heirloom","offers":[{"title":"Default Title","offer_id":47444414398776,"sku":"AL151","price":500.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/products\/victorian-maenad-cameo-brooch-414088.jpg?v=1701184946"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0555\/7387\/2952\/collections\/lost-classics-361975.jpg?v=1690751580","url":"https:\/\/lostowl.com\/collections\/lost-classics.oembed?page=9","provider":"Lost Owl Jewelry","version":"1.0","type":"link"}